Holy Rosary Cathedral
3125 13th Avenue, Regina, SK S4T 1P3
tel. 306 565 0909  fax 306 522 6526
e-mail: holyrosary@accesscomm.ca

Music for Weddings:
Some Suggestions for Couples

Preliminary Note

Couples planning their weddings might wish to print out this document.

Once you have arranged a date and time with the Parish Office,
please contact the organist to make specific wedding music arrangements.

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Preludes to the Wedding

It is customary to have 15-20 minutes of instrumental music played before the wedding begins. This music assists in welcoming guests as they enter the church, and helps to set a festive mood. The following table contains some suggestions for appropriate music.

Composer Title
Bach Shorter preludes and fugues
Bach Trio sonatas
Bach Concertos based on works of Vivaldi and others
Bach Jesu, Joy
Bach Sheep May Safely Graze
Bach Air on the G String
Bach Pastorale in F
Bach/Gounod Ave Maria
Boellmann Minuet
Boellmann Priere a Notre Dame
Bossi Allegretto
Handel Minuet (Berenice)
Handel Movements from the Water Music
Handel Movements from Music for the Royal Fireworks
Handel Movements from the organ concertos
Handel Arrival of the Queen of Sheba
Sweelinck Balletto del Granduca
Sweelinck Unter der Linden grüne
Vaughan Williams Rhosymedre

 

As the Wedding Begins

Processional music (instrumental)

A few moments before the wedding begins, an usher will be sent to check with the bride and her party that all is ready. The usher returns to the Sacristy and informs the witnessing priest that this is so.

The groom and his attendants leave the Sacristy, process into the church, and take their positions along the right-hand side of the main aisle. Music (generally a very brief improvisation) accompanies this short procession.

When the groom, his attendants, and the witnessing priest are in their positions, there is a momentary pause in the music. The priest invites the guests to stand. This is the signal for the bride's procession to begin, and for the processional music to commence.

Customs associated with the bridal procession vary a great deal from church to church. At Holy Rosary Cathedral it is customary to treat the procession of bridesmaids and bride (together with flower girls, etc.) as a single procession. It is also customary, therefore, to have one piece of music to accompany the entire bridal procession, though if desired the music can become more dramatic as the bride begins making her way up the aisle.

As noted, the music commences as the procession begins, and concludes as bride and groom meet before the priest.

It is strongly recommended that this processional music be instrumental rather than vocal. The words of a sung composition are not effective at this point: people's attention is focused on the bride, groom, and others in procession.

Composer Title
Archer Cantilene
Bach Concertos based on works of Vivaldi and others
Bach Jesu, Joy
Boellmann Minuet
Charpentier Prelude to the Te Deum
Clarke Prince of Denmark's March
Handel Movements from the Water Music
Handel Movements from Music for the Royal Fireworks
Handel Allegro Maestoso
Handel Largo (Xerxes)
Mouret Rondeau
Pachelbel Canon in D
Purcell Trumpet Tune


Opening hymn (optional)

After the procession is complete, an opening hymn may be sung if desired. It should be something that everyone can join in singing; a vocal solo is not appropriate at this point. See Catholic Book of Worship numbers 625 - 634 (or any hymn of praise in the book: see the index) for possible selections. Please note that Catholic Book of Worship is readily available to your guests in the pews.

Liturgy of the Word

The Liturgy of the Word at a wedding generally involves the following elements:

bullet

The First Reading

bullet

The Responsorial Psalm

bullet

The Second Reading

bullet

The Gospel Acclamation

bullet

The Gospel

bullet

The Homily

Of these elements, both the Responsorial Psalm and Gospel Acclamation can be sung by cantor and guests, accompanied by organ (or piano). If they are not sung, the Psalm is read by the person reading the First Reading, and the Gospel Acclamation is omitted.

Many appropriate psalm texts and musical settings are available in the Catholic Book of Worship III. Among these are:

Psalm text

CBW number

Refrain

Ps 25

16

To you, O Lord

Ps 126

22       

The Lord has done great things for us

Is 12

25     

Sing and shout for joy   

Ps 89

27       

Forever I will sing

Ps 98

29B   

All the ends of the earth      

Ps 33

33        

Happy are those who fear the Lord  

Ps 67

36   

O God, be gracious and bless us      

Ps 33

47         

May your love be upon us

Ps 19

51         

Lord, you have the words of everlasting life

Ps 103

52     

The Lord is kind and merciful   

Ps 34

55        

Taste and see that the Lord is good  

Ps 33

77        

The earth is full of love 

Ps 16

94     

Show us, Lord, the path of life   

Ps 67

105     

Let the peoples praise you   

Ps 96

117    

Proclaim the wonders of the Lord   

Ps 103

130    

The Lord is compassion and love     

Ps 92

143    

It is good to give thanks

Ps 89

148        

Forever I will sing 

Ps 33

168  

Happy the people the Lord has chosen 

Ps 145

184  

The Lord is close to all who call him  

Ps 19

188  

The precepts of the Lord give joy  

Ps 128

191  

May the Lord bless us  

Ps 90

194  

Fill us with your love, O Lord  

Ps 145

204  

I will bless your name  

Ps 128

208  

O blessed are those  

Ps 97

222  

The Lord is king  

 

It is important to have the responsorial psalm sung by someone trained to do so and familiar with the style and purpose of cantorial singing. If the psalm is not sung, it is typically recited by the person who reads the First Reading.

 

Gospel Acclamation

If not sung by cantor and congregation, this acclamation is omitted. If sung, the following settings are appropriate for a wedding:

CBW  

Composer

247  

Isele

248  

Gregorian chant

249  

Murray

254  

Berthier

256  

Haugen

257  

Peloquin

549A O'Carroll/Walker

 

 

The Exchange of Vows and Rings

There is no music for this part of the rite.

If a candle-lighting ceremony is desired, quiet (usually improvised) instrumental music accompanies it. The candle-lighting ceremony is less than a minute in length, and is therefore not an appropriate place for a hymn or other sung composition.

 

The Liturgy of the Eucharist


Please note that at some weddings the Liturgy of the Eucharist is not celebrated. Please consult with your witnessing priest on this matter.

Presentation of the Gifts

At a wedding, the Presentation of the Gifts is generally a brief part of the liturgy, typically occupying less than a minute and a half. It is therefore customary to have a brief (often improvised) organ or instrumental interlude at this point. A brief eucharistic hymn for cantor and congregation is also appropriate if desired.


Eucharistic Acclamations

These can be sung by cantor and congregation if desired. If preferred, they can be spoken by all rather than sung.

Holy

278A Dufford
280A Isele
283A Somerville

Memorial Acclamation

279C Haugen
283B Somerville

Great Amen

279D Haugen

Lord’s Prayer

At weddings, the Lord’s Prayer is nearly always said rather than sung. If it is to be sung, see the settings at 287 (Somerville) or 299F (Gregorian). Again, it is important that all present at the liturgy are able to participate in the singing or reciting of this text. It is not appropriate for a soloist.

Lamb of God

288 Somerville
293 Isele

 

During Communion

A eucharistic hymn can be sung by cantor and congregation. For appropriate choices, see Catholic Book of Worship nos. 595 - 611.

Alternatively, the cantor can sing an appropriate solo. Any song of praise is appropriate, as are musical works with close links to the eucharistic theme, such as César Franck's Panis Angelicus.

 

The Signing of the Register

This is the spot (approximately 3 minutes in length) for a vocal solo or a more substantial instrumental solo. Favourites here are various settings of the Ave Maria (Hail Mary, Full of Grace) by Franz Schubert, Bach/Gounod, the Wedding Hymn by Handel, and others, as well as classics such as Jesu, Joy of Man's Desiring by Bach or less well known pieces such as O Love be Deep by Walter MacNutt. It is also possible to sing a congregational hymn at this point: see Catholic Book of Worship numbers 625 - 634 for several appropriate selections.

 

The end of the ceremony

Closing hymn (optional)

Before the wedding party begins to leave the Cathedral, a closing hymn may be sung if desired. It should be something that everyone can join in singing; a vocal solo is not appropriate at this point. See Catholic Book of Worship numbers 625 - 634 (or any hymn of praise in the book: see the index) for possible selections. Please note that Catholic Book of Worship is readily available to your guests in the pews.

Recessional

As the wedding party leaves the Cathedral, an instrumental (not vocal) piece is played. As with the Processional, everyone's attention is focused on the newly married couple as they leave the building; the words of a hymn or song are not effective here. Instrumental music for the recessional is typically grand and festive, taking advantage of the rich sound of Holy Rosary Cathedral's organ.

Composer Title
Bach Various preludes and fugues
Bach In Thee Is Joy
Buxtehude Toccata in F
Charpentier Prelude to the Te Deum
Clarke Prince of Denmark's March
Dupre Prelude and Fugue in B
Gigout Grand Choeur Dialogue
Handel Allegro Maestoso
Mathias Toccata Giocosa
Marcello Psalm XIX - The Heavens Declare
Purcell Trumpet Tune
Vierne Final (Symphonie I)
Widor Toccata (Symphonie V)

Notes

  1. As a rule, musicians do not attend the wedding rehearsal. They rehearse separately. If you have your own soloist, rehearsals will be arranged by agreement between her or him and the organist.

  2. If you wish to engage a soloist, the organist can recommend trained singers experienced with the Cathedral's large acoustical environment.

  3. Microphones for soloists are not available in the organ loft.

  4. The Cathedral Choir can, by special arrangement, sing at weddings. Contact the choirmaster at least two months in advance for further information.

  5. Special requests for vocal music must be accompanied in advance by legitimately published copies for both the soloist and the organist. The use of photocopied music is illegal.

  6. Prerecorded music is not permitted in liturgical celebrations, including weddings, at Holy Rosary Cathedral. For more information, consult the Snowbird Statement on liturgical music.

  7. Finally, please ensure you have contacted the organist with the date, time, and other details of your wedding, together with any other information you might have.

Return to the Cathedral Music homepage
Information on the organ in Holy Rosary Cathedral
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